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Trío San Telmo - Música Clásica Argentina
SAN TELMO TRIO of Buenos Aires
§ Members: · Trios · Trios §
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... there was not even a minimal flaw in the resolution of the incredible complexities of the Ives Trio, and the musicians underlined precisely the painful and profound quality of the work by Shostakovich. LA NACIÓN, Buenos Aires.
... The musicians have a feeling for the special requirements of chamber music playing, are aware of stylistic differences and are capable of projecting the personalities of varied works. Sensitivity was distributed evenly among all three instrumentalists. THE NEW YORK TIMES, New York.
... The Brazilian Mozarteum did well bringing us this enthusiastic Trio from Buenos Aires. They are excellent and play superbly in terms of phrasing, articulation and style. The "Dumky" Trio by Dvorak, so beautifully and feelingly played! DIARIO POPULAR, Sao Paulo.
... The musicians showed their quality. They did so with impeccable means, with artistry and instrumental mastery, equally firm and coherent in their musical outlook. A new success, one of the best. LA NACIÓN, Buenos Aires.
... Their performance revealed extraordinary versaltility and artistry, and showed surprisingly how classical musical procedures can be interpreted with a new, fresh outlook. RUDE PRAVO, Prague.
... The Charles Ives Trio is very beautiful, very difficult. Its original structure poses a series of interpretative problems, and it is necessary an ensemble with the mastery of the San Telmo Trio to solve them with such ease and artistry. Deeply involved with their task, they recreate music with fullness of exression and generosity. LA RAZÓN, Buenos Aires.
... The San Telmo Trio has tecnique to burn. They seized on the essential Schumann in a treasurable readin, quite up to Beaux Arts standards. THE WASHINGTON POST, Washington D.C.
... The San Telmo Trio during the last few years has gained the first place among the countrys' trios. Thanks to its cultivated professionalism it has attained a homogeneous musicality in phrasing, style and dynamics. LA NACIÓN, Buenos Aires.
... The interpretation amounted to a master class in making the instruments sing. The romantic flair was never lost, and the musicians assembled the sonorous construction with self-assurance, nerve and elegance. EL MERCURIO, Santiago de Chile.
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